Review: Brightblade

Brightblade by Michael Suttkus
My rating: 5 of 5 stars

I liked Brightblade a lot… or more accurately, I liked Ashley Morgan, the snarky, sassy, superpowered anti-heroic protagonist of Brightblade. Usually, I’d try to summarize the plot in a review, but unlike some other books that use their characters as a way to push the narrative forward, Brightblade is all about the characters. That means the real joy in reading it is all in the interactions, character building, and dialog. There is a story there, and it's a decent one... but you’ll read the book for the characters in it. So the plot? What’s the book about? It’s about Ashley Morgan. And the one hell of a night she just survived. Well, that she mostly survived anyway.

I’m usually not into urban fantasy, but Brightblade reads more like a vampire story. But not a dark, victorian-style vampire story or a teenage romantic gag-inducing vampire story. Instead, it’s an entertaining, irreverent, gothic-punk vampire story where the masquerade is dropped, and the vampires are all out doing their vampire thing. It’s got lots of vampire family politics, vampire lore, vampire strippers, and everything else you could want in a vampire story. From what I understand, it’s set in the same world as the other books in The United States of Monsters series, and now I want to read them all. Damn it, maybe I do like urban fantasy after all.

Overall, Brightblade is a lighthearted story with some darker subtext. It’s humorous and fun with its tone and pop culture references, but like most of Phipps’s work, it’s also intelligent in its use of social commentary and the development of alternate world cultural dynamics. I appreciate these deeper elements built into the world that Phipps and Suttkus have created.

As for the audio version of the book: I’ve never heard any of Heather Costa’s performances before, but I think she did a great job with Brightblade. Her character voices fit the narrative's tone and various situations within the book. All the female characters had unique, distinct voices -- which is an accomplishment, as there was quite a large cast of female characters. However, the male voices didn’t have the same variety and were a bit more challenging to differentiate. It’s a minor critique, though, as it didn’t hinder my enjoyment of the book or the narration.

Special thanks to C.T. Phipps, who provided me with this book at my request.

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